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He played only on one tune, Daddy Don’t Live in that New York City No More. The band became a studio entity at this point, hiring the best session musicians in LA and New York. This is my tribute to Larry Carlton’s amazing work on their 1970s albums.Ĭarlton first played with Steely Dan on the 1975 album Katy Lied. And one name kept coming up on both of their album sleeve notes, as I scrutinized the fine print to find out who was the guitar player who played all these magnificent licks and solos. A few exceptions to this in the 1970s are albums by two of my favorite artists, who were unique in providing detailed listings of all musicians who played on their records: Steely Dan and Joni Mitchell. Many albums omitted those credits, especially when the musicians where hired studio professionals. In the days when record stores enabled impromptu meetings of like-minded music lovers, a favorite topic was the sharing of this knowledge with others and finding more clues from album covers to lead me to the next album. When I hear a great piano accompaniment or a drum track, I immediately browse through the liner notes and credits to find out who the musician might be.

It used to be my primary method of making connections between artists, albums and songs I love.

17 Larry Carlton’s sessions with Steely Dan and Joni MitchellĪs a music aficionado I have a fascination with album credits.

Speaking of Chinese torture music I am most familiar with Carla Bley from A Genuine Tong Funeral, a work lawnz as a Gary Burton album but which Bley was very much behind as composer and the brains behind the sections that were brass not vibes.

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Then she was married to Austrian avant garde trumpeter Michael Mantler from towith whom she pioneered the independent free jazz scene, establishing an artist-owned big band, record label and distribution agency for progressive jazz.

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He is a full partner in making the music.

Thank you for sending me down the rabbit hole of bpey music! Thank you Kurt, both for your reading, and for getting me to go back and get past the hair. What’s going on in this tune? Carla Bley – Lawns. BluesfulJul 2, Aaron Mayo and Bluesful like this. Joni Mitchell, ‘River’ Her partner Steve Swallow eschewed the double bass for an electric bass in the late s, a pioneering move for a progressive jazz musician. So 2 things I don’t get: At 19 she married dour avant garde Montreal pianist Paul Bley for a while.

JonRJul 2, Your name or email address: Mail will not be published required. BTW the second ending is for sending the cows back to the barn. We’ve added some “new” guys to the moderator crew. Where is the wellspring of wisdom? Leave this field empty. Not screaming and strutting or popping buttons and groaning.

CARLA BLEY LAWNS LEAD SHHET SERIES

In the early s, the trio of Jimmy Giuffre reedsPaul Bley and Steve Swallow, made a series of free jazz recordings that speak to me very directly and strongly. Stream Carla Bley And Steve Swallow – Lawns (live) by aNtoN from desktop or your mobile device. Looking at the lead sheet below, the key sig is D Major, but the resolutions sound and feel like G Major to me.